
Josh and Lauren run Green Foundry, part of Sanctuary Arts in Eliot. There, they cast sculptures in bronze and other materials.
Congratulations Josh and Lauren! I hope you'll still be my friends now that you're famous!!

As mentioned in the previous post, Studio Visit Magazine, is a new series of artist books. Each volume features approximately 150 artists from all over the country who have been selected by professional curators. I was given a copy of Volume 1 this past spring by Nicole Maloof, as she was one of the artists featured. I was delighted to see a painting by Lisa Costanzo on the cover - I first fancied Lisa's work when I visited her studio in the South End in Boston during the SoWA art walk a few years ago.
Shown above: "Is this all we really have in common?" by Nicole Maloof (acrylic and ink on paper 4"x4"); and "Track Drifter #2" by Lisa Costanzo (watercolor, gouache and graphite on paper, 7"x9").




Kelly Vivanco first graced the gallery with her series of birds in the Teeny Tiny Art Show 2. Like their feathered friends, the creatures featured in this small series have much emotional depth while sporting party hats and warm woolen sweaters.


"Here is a rain girl carrying some little drops of water in order to keep her personal nature alive. You can see how she walks and holds a plant and animals with her hands at the same time. They are her universe and they go wherever she goes. This papercut is dedicated to all the girls and boys (little ones and grown-ups) who work hard in order to develop their personal worlds. The drops are a symbol of all those little things that we can do everyday in order to keep our imagination and creativity alive."
~ Elsita


Above is an image from her solo show at Couturier Gallery. Los Angeles, CA 2007. Each butterfly represents a famous woman.
"The medium of encaustic; a molten beeswax paint mixed with resin and dry pigments, allows me to escape the confines of everyday artist's techniques and provides me with more exploratory means of expression. Its qualities are sublime and unpredictable, additive and subtractive, translucent and sculptural, which has strongly influenced my departure from realism to abstraction. This ancient technique has become my method of navigating the obscure terrain of imagination and memory." ~ Robin Beaty

"I am very drawn to wax and its tactile qualities, the smell and viscosity of the medium are very different from other painting techniques. Creating organic forms is a natural extension of wax’s origin. Coming from a background in graphic design, I am drawn to certain color schemes and shapes, the repetition and placement being important to the composition. My paintings are made by layering multiple coats of wax which can completely obscure the under layers at times. I then scrape away areas of the wax to expose the compositions below." ~ Linda Cordner
The ancient Greeks developed encaustic over 2,000 years ago. The word encaustic derives from the Greek word enkaustikos, meaning “to heat” or “to burn”. It is an ancient painting medium that mixes molten wax with dry pigments and resin. Encaustic was used among Greek artists as far back as the 5th century B.C. where it was applied in portraits and panels of mythological painting. Encaustic is impervious to moisture. This main preservation property was instrumental as a way of weatherproofing Greek ships. Later, pigment was added to the wax and encaustic was also used to decorate Greek ships.
In the 1st through 3rd centuries A.D., Greek painters settled in Egypt and adapted the common custom of honoring the dead. It was common to place a portrait of the deceased in the prime of their life or after death over the person’s mummy as a memorial. These mummified portraits, known as the Fayum funeral portraits, are the only surviving encaustic paintings from ancient times. Their fresh color and vibrance attests to the durability and resistance to moisture that wax encompasses.

Barbara explains in her statement: "I was a resident at the artist’s colony Jentel in 2005 when I reacquainted myself with the magical properties of the hula-hoop. No one could actually hula hoop but all remembered a time in childhood when it cam easy. When my fellow residents would first try to hula they were stiff, bashful and dismissive of the action. But I encouraged them to keep trying, all the while snapping photos. As I did so, I noticed that there bodies would relax, they would start to giggle and then laugh and their facial expressions told me that they were remembering their first enthusiastic attempts at hula hooping. Very few people actually achieved mastery, but I got really good at snapping the pictures before the hoop hit the ground and capturing that look of childlike glee or determination on their faces."

"I have turned these moments into little icons, with gold leaf and gems. Paying homage to a time in our lives when our lack of self-awareness made everything possible.
Barbara will be at the opening reception on Friday, September 5th with her camera and hoop in hand!

Click here to preview some of the works in the show. And stay tuned as I will be posting about some of the exhibiting artists in the not too distant future.