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I am thankful for the path that has been laid before me (ever challenging and satisfying) and also for the many gracious artists with whom I work and for friends and family who work to help me.
Happy Thanksgiving!
At the beginning of the 20th century,
Walter Sickert (1860-1942) painted a remarkable series of female nudes which confirmed his reputation as one of the most important modern British artists. The uncompromising realism of Sickert’s nudes, set on iron bedsteads in the murky interiors of cheap lodging houses, challenged artistic conventions and divided critical opinion.The exhibition traces Sickert’s
reinvention of the nude, exploring the ways in which these powerful paintings
addressed pressing artistic and social concerns of the period.
Louise Bourgeois is one of the world’s most respected sculptors. Over a long career she has worked through most of the twentieth century’s avant-garde artistic movements from abstraction to realism, yet has always remained uniquely individual, powerfully inventive, and often at the forefront of contemporary art.
This major survey, in the artist’s 95th year, provides an unprecedented opportunity to reassess her work, which is characterised by its obsessive subject matter and experimental approach to materials and techniques.
Beginning with her earliest drawings, prints and paintings, the show features over 200 works in materials as diverse as latex, bronze, marble, and mirrors, as well as her most recent works using fabric. It’s also another chance to see Bourgeois’s monumental spider sculpture Maman 1999, which was shown in the Turbine Hall when the gallery opened in 2000.
This exhibition explores Bourgeois’s core themes of femininity,
sexuality and isolation, and demonstrates that even in her 90s
she continues to defy convention.